Feed from the bottom.

fuckkyeahchicago:

‘Shit Chicagoans Say’

well played… well played indeed!

(chicagobusiness:redeyechicago)

Wilco - Dawned on Me

The video for Wilco’s new track Dawned On Me is the result of a collaboration with King Features: it’s the first hand-drawn Popeye cartoon in more than 30 years. Directed by Darren Romanelli, the animation is faithful to the ones you remember watching as child, and it’s a great song to boot.

iwillshitoneverythingyoulove:

Nujabes- Waiting For The Clouds(Ft. Substantial)

(Source: drummerseams)

splitopenandmelt:

FISH is so overlooked sometimes man. Love this guy. Imagine what it would be like to be in a room with him for a little bit.

Fishman warming up for 2011 NYE Run!

‘1348’ Drum Riser Cam - Kris Myers lights it up during ‘1348’ at The Pageant, St. Louis, MO on 12/29/11.

fuckyeahphish:

Phish - Tweezer > McGrupp
12.31.91 - The New Aud - Worcester, MA 

I’m sure most of you noticed that the Phish slipped in an archival release right before showtime last night. From our good friends at the Phish factory:

JEMP records is excited to share “Phish 12/31/91, Worcester Memorial Auditorium (The New Aud), Worcester, MA”, available NOW as a 3-set digital download and on-demand CD from livephish.com

Phish had a busy year in 1991, signing a record deal with Elektra Records and touring coast-to-coast for a total of more than 130 shows including a fourteen-show tour with a three-piece horn section and the first unofficial Phish festival at Amy’s Farm. That summer Phish also recorded their third studio album, “A Picture Of Nectar”.  White Crow Studios in Burlington, Vermont provided the backdrop for Nectar’s namesake with engineering duties covered by Kevin Halpin and Jon Altschiller. While Jon was still getting his start as an engineer, he was also a fan and was among the dozen-or-so tapers at The New Aud for the band’s New Year’s Eve concert. Thanks to his work on Nectar, Jon was allowed to set up his microphones inside the front-of-house position.  He also managed to snag a then-rare soundboard patch from FOH engineer Paul Languedoc.

Fast forward to 2010 when Jon returned to work with Phish on the road as LivePhish.com remote engineer and the seeds were sown for the release of this classic show. Twenty years later, Jon combined his audience and soundboard DAT recordings to create the matrix for The New Aud release.  Mastered by Fred Kevorkian, this unique source is a proper document of the show, combining the qualities of both sources and harnessing the electricity that characterized this special performance.

soakmadblunts:

Phish - Glide (12.28.2011)

first Glide since 12/04/09.  glorious.

Glad Glad Glad

splitopenandmelt:

New Years Run PHiSH 2011 Posters

Official 12/28-12/31 Poster.
Design by DKNG © Phish 2011.
18x24
Green and Blue Editions of 700 each with metallic inks, colored paper.

Medeski, Martin & Wood - Where’s Sly

headunderwater:

Dave Brubeck - 40 Days - Live 1966

Dave Brubeck and Paul Desmond go together like peas and carrots.

Phish 10/31/1996 All of MTV’s Pro-Shot Footage of Remain In Light

hungryears:

Phish dip into the “Holy Grail” of legendary shows to release Hampton/Winston-Salem ‘97. Among some of the most requested shows for release from the Phish Archives. The 7-CD box set, features three complete shows recorded Live November 21 & 22, 1997 Hampton Coliseum, Hampton, VA and November…

inmyhelicopter:

Climbing Walls - Strange Talk

So someone played this on ttfm today. Really good.

Checked out the band on Spotify. Unfortunately they’re really new and only have 4 songs out, but it sounds like definitely someone to watch.

zabib:

Texas Legends III: Harold Land

(Source: youtube.com)